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11 Greek Coffee, Reading Turkish grounds




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This article is from the Greece FAQ, by Nikolaos (Nick) C. Fotis, nfotis@theseas.ntua.gr with numerous contributions by others.

11 Greek Coffee, Reading Turkish grounds



wfk@cellar.org (William F. Kershner) writes:
--------------

>Can anyone explain the art of fortune-telling by reading Turkish coffee
>grounds? I enjoy my coffee metrio and would like to know more about it.

From: ccc@cs.toronto.edu ("Christina C. Christara")
------------------------

First, all what you are going to read after this line is a fraud!

The part of the coffee cup which is positioned closest to the person
drinking it is the part of the heart. There all the sentimental
issues are depicted... The opposite part of the cup describes the
"professional" issues. In general it is good for the grounds not to
be very dark. So when you drink your coffee, before it ends, shake
it a bit, then turn it upside down, so that most grounds go away.
You make your future better!

If you have a lot of imagination you look at the shapes the grounds
have done and talk about roads, houses, airplanes, trees, etc.

The bottom of the cup is the deep part of the heart... You make
a wish and put your finger there. If the finger leaves a clear mark
then the wish will come true. If the finger does not catch all the
grounds, then the wish will not become true ... So twist your finger
a bit, when you put in the bottom of the cup. But do this without
the person telling you your fortune to know about it!

Well, the fraud is over.

From kk@hpl-opus.hpl.hp.com (Konstantinos Konstantinides)
and jyc@leo.Stanford.EDU (Jon Corelis):
------------------------

There is a monograph on the topic (in Greek) by Elias Petropoulos,
O tourkikos kafes en elladi (Athens, Ekdoseis Grammata, 1979).

The monograph has lots of figures and discusses the art of
coffee reading in Greek prisons.

A very interesting book, with many illustrations, including some of
coffee-grounds patterns with their supposed meanings. The title, of
course, is deliberately provocative. In case anyone wasn't upset enough
by it, Petropoulous makes a point of beginning his book by saying, "Oi
Tourkoi, opou deon na thewrountai paterades twn neoellinwn, metaksu
allwn agathwn kai deinwn pou mas eklirodotisan einai kai o kafes."

 

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